LV now

The new three-level boutique is located in a 1963 Brutalist, Grade II-listed building in the heart of Knightsbridge in London. A luxury retail destination of 580-square feet, it is a unique space in which to shop all categories of Louis Vuitton’s Men’s and Women’s products, including Leather Goods, Shoes, Ready-To-Wear, Accessories, Watches, Fine Jewellery, and Fragrance. Bespoke offerings include Rare & Exceptional dresses, Objets Nomades and Petits Nomades, as well as the NOW YOURS trainer personalisation service.

To celebrate the opening of Sloane Street, Louis Vuitton will offer a special Rare & Exceptional service where clients can fit and customise chosen pieces to their exact needs, bringing a couture touch to the House’s Ready-To-Wear excellence. This personalised service will guide clients through the different stages of fashioning the perfect gown to create unforgettable, unique, and made-to-measure pieces.

The unique heritage of this landmark building is complemented by a collection of artwork and furniture that reflects its atmosphere. Clients will shop surrounded and inspired by notable mid-century works by the likes of Tommaso Barbi, Georges Breuil and Roger Capron, as well as order the statement contemporary pieces on display from Louis Vuitton’s Objects Nomades collection, including the renowned Bomboca sofa and Cocoon suspended seat by designers Fernando and Huberto Campana.

Address: 190 - 192 Sloane Street, London SW1
Open 10am to 7pm, Monday to Saturday. 12pm to 6pm on Sunday.
Discover Louis Vuitton Sloane Street

The vibrant “sartorial melting pot” that has emerged in the area surrounding the Centre Pompidou in Paris was Nicolas Ghesquière’s primary inspiration for his Louis Vuitton Fall-Winter Collection. Through the combination of graphic juxtapositions, the clashing of cultural references, and the multiplicity of expressions, the Artistic Director follows in the footsteps of Renzo Piano and Richard Rogers, the museum’s architects, by deliberately inviting lively debate.

Notable details include colourful re-interpretations of Louis Vuitton signatures such as with the Mini Luggage BB bag, as well as the application of the classic Monogram to novel forms as is the case with the playful Art Folder. Leather caps and flat square belt buckles on many of the models contribute to the overall celebration of the stylistic eclecticism of the decades that have passed since the Centre Pompidou’s founding in 1977. 

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The Centre Pompidou Museum in Paris is an emblematic example of generational architecture, representing a captivating dialogue between a daring construction and a historic neighbourhood. Since its inauguration in 1977, it deliberately invited debate, a debate which evolved with the decades that followed. The recreation of this monument to modernity for Nicolas Ghesquière's Fall-Winter 2019 Show pays homage to the clash of the old with the now, a signature preoccupation of Louis Vuitton’s Artistic Director. 

The Collection that was presented against this backdrop speaks to a vision of fashion that is sure of its potential and knows with conviction how to proceed. The enthusiasm of youth creates a foundation of stylistic certainty. Nicolas Ghesquière described the Centre Pompidou and surrounding area as “a fascinating incubator of a neighbourhood. An incredible mélange, converging in the epicentre. The cliques, the styles, the life… I love that impression of a sartorial melting pot. Today, I’ve transposed it at Louis Vuitton: a House of multiple expressions."

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Louis Vuitton hosted numerous guests, including Emma Stone, Jennifer Connelly and Alicia Vikander. Also in attendance at Nicolas Ghesquière's Show for the House on March 5th were Willow Smith, Chloë Grace Moretz, Laura Harrier, Naomi Scott, Emma Roberts, Doona Bae, Marina Fois, Noomi Rapace, Justin Theroux, Mark Ronson, Sienna Miller, Paul Bettany, Thandie Newton, Xavier Dolan, Indya Moore, Zhong Chu Xi, Samara Weaving, Kelsey Asbille, Nina Dobrev, Urassaya Sperbund, Catherine Deneuve and Léa Seydoux, among others.

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From within one iconic cultural institution, another rises for a finite moment in time. The concept of Nicolas Ghesquière’s Louis Vuitton Women’s Fall-Winter 2019 Fashion Show alludes to the idea of being a “museum within a museum”. Located in the Cour Carrée of the Musée du Louvre in Paris, the interior and exterior scenography references the architecture of the Centre Pompidou which sits only a kilometre away. Designed by Renzo Piano and Richard Rogers and inaugurated in 1977, the multicultural venue rapidly became one of the most recognisable and popular modern monuments worldwide, despite the considerable controversy surrounding it.

Today, the building is considered an emblem of 20th-century architecture, boasting a series of technical characteristics that make it unique in the world. With the bold conviction that an institution is also a cultural machine, the Centre Pompidou both literally and figuratively inverts the traditional structures to bring the inside out and outside in. What would normally be hidden from the public has been instead brought out and made visible with a simple colour code: green for circulating water, blue for air, yellow for electricity, and red for the humans. At the Centre Pompidou, as in fashion, everything’s a matter of flow.

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